This is the third part of my critique of Javier Marías’s trilogy of novels, ‘Your Face Tomorrow’ (YFT). In the first two parts I looked at his theme of interpretation, the elaborate syntactical structure of his sentences, and the meandering, … Continue reading
Last Thursday (May 30) I posted the first instalment of my critique of the brilliant trilogy of novels by Javier Marías, Your Face Tomorrow (YFT). I’m delighted and honoured to say that the eminent author re-posted my piece on his own … Continue reading
Javier Marías , Your Face Tomorrow (YFT) This is the first instalment of a blog post that will extend in several parts over the next few days or weeks; I’ll continue with the second instalment over the weekend. I hope … Continue reading
Joseph Brodsky, Watermark: An Essay on Venice. Penguin Classics, 2013. First published 1992. Javier Marías, Venice: An Interior. Translated by Margaret Jull Costa. Penguin Books, 2016 [and part of the essay collection Between Eternities, 2017]. First published in Spanish, 1988. … Continue reading
Javier Marías, Thus Bad Begins (Hamish Hamilton hardback, 2016) 503pp When I started this blog back in 2013, Javier Marías was one of the first novelists I posted about. He’s surely one of the most important and gifted writers of … Continue reading
Javier Marías, The Infatuations. Hamish Hamilton, London, 2013. …the dead are quite wrong to come back, and yet almost all of them do, they won’t give up, and they strive to become a burden to the living until the living … Continue reading
I’m going to the States next week, so may not get much time to blog for a while. I thought you might like a little more material to peruse on the superb Javier Marías, subject of my recent 3-part critique … Continue reading
It’s just over four years since I started this blog. Back then I had no particular vision of what Tredynas Days was to be: I wanted it to be a place where I could express something of my experience, especially … Continue reading
When I began this blog nearly two years ago it was with a notion of writing about the world of words and literature in general. Subsequently my early posts were on a range of topics, from reviews of Javier Marías’ … Continue reading
We’re going to see the new Baz Luhrman film ‘The Great Gatsby’ tonight (there’s a Guardian review of its opening screening at Cannes here, so finding myself in Waterstone’s this morning (I believe they’ve dropped the apostrophe, but never mind) I … Continue reading