Highsmith and lambs

Patricia Highsmith, The Glass Cell. Virago Modern Classics, 2014. First published in the USA, 1963

Patricia Highsmith Glass Cell coverThis wasn’t the most soothing choice of reading during Britain’s third lockdown, when Covid cases are soaring, hospitals are full and their staff almost overwhelmed, and the days are short and mostly wet and grey. So I shall give just a few thoughts about this typically disturbing novel by Patricia Highsmith, and append some more uplifting stuff from recent walks.

The first third of the novel tells of the brutal treatment in a grim prison in the south of the USA of a man singularly ill-equipped to deal with its regime. Phil Carter is an educated, affluent engineer/designer who’s been convicted of commercial fraud. He failed to read certain documents his crooked bosses gave him to sign, and these provided incriminating evidence at his trial.

As usual with Highsmith, the reader is never on firm ground. The story is told largely from Carter’s point of view. Was he really so carefree in business matters, naïve or gullible, too trusting? Were these bosses, who continue to converge on his life after his six-year sentence has been completed, as dodgy as we’re led to believe? Given how Carter develops (or unravels) in the second part of the novel, it’s difficult to believe he’s entirely innocent – about anything.

It’s a novel about the toxic nature of jealousy. Like Othello, Carter is worked on by one of these ex-bosses, keen to give him the ‘ocular proof’ that his beautiful wife Hazel, who has visited him regularly in jail, has been having an affair the whole time – and that it’s still going on when he’s released and they start a new life in New York. The consequences are explosive, and left me when I’d finished the novel with something resembling an acrid taste.

The world that Highsmith conjures up in those novels of hers that I’ve read (link HERE to previous posts about them) is twisted, and the characters who inhabit it are damaged by its tortuousness. Often they inflict some more on others. I find this is not the best of times to be reading her.

Hibernating snailsHere then are some reflections and images from recent rural walks.

First, a cluster of what I presume are hibernating snails. They were tightly packed inside a drainpipe embedded in a garden wall – it must have been blocked, otherwise they’d surely have been washed away after all the rain we’ve had here in Cornwall in recent weeks. (None of the snow, so far, that’s swept across the north and south-east of Britain over the weekend.)

The steps are outside a house near Kenwyn Church. As they don’t lead anywhere, I assume Stone stepsthey once functioned as a means of stowing things more easily into a cart or truck, or to make mounting a horse less arduous. I like the patterns made by lichens and mosses (not sure what the difference is).

 

 

We have had a few rare days of sunshine. At this time of year, clear skies mean very cold air. This fine butterfly –  a red admiral, I think – took advantage of the warming rays on an olive tree that sits in a pot in the sheltered south-facing front of our house.

Butterfly

Most days have been grey and damp. Mrs TD and I had our spirits lifted on a walk last week at the sight of a field of ewes with their skipping, frisking lambs . The farmer was just leaving through the gate, so we were able to ask her about them. She said the lambs were just three days old. When we passed that way again a few days later I was able to snap this delightful scene: the lamb enthusiastically feeding from its placid mother, its tail wagging like a spaniel’s.

 

Ewe and lambThe sky was grey, but this sight brightened our day.