Patrick Gale, Mother’s Boy. Tinder Press, 2022.
Patrick Gale is a Cornwall-based novelist, and much of his fiction has a Cornish setting or theme. Mother’s Boy, his latest novel, is his spirited account of the life of one of Cornwall’s most famous writers: the poet Charles Causley (1917-2003).
A friend of mine said he thought it misrepresented some aspects of the life; I don’t know enough of the biography to comment on this. In my ignorance I enjoyed this as a well-wrought narrative. I think it’s ok for a novelist to exercise some imagination in selecting from the ‘facts’ of a life and leavening them with ingredients that suit their artistic purpose (within reason, I suppose, so that’s a bit of a cop-out on my part).
I won’t go into the details of Causley’s life as portrayed by Gale, as this might interfere with your own response. I can say that he lived most of his life in the small market town of Launceston, near the border with Devon. His childhood was quite tough, as the household had a small income. He didn’t fit in with school very well, and was bullied at times. In a small community this was problematic.
After a spell during and shortly after WW2 in the Navy, he trained to teach and returned to his home town to teach in the school he’d attended as a child. In his younger days he wrote plays and fiction, but gradually specialised in poetry. His style and themes show the influence of local folklore, ballads and the oral Celtic-English tradition, making his poetry more accessible than many 20C English poets.
The term ‘mother’s boy’ is usually pejorative, but here it’s largely positive. He had a very close relationship with his mother. His homosexuality was risky in the years when it was still illegal, and this may have contributed to his relatively secluded life.
Patrick Gale writes his story with great sympathy; it’s not a hagiography, for we see aspects of Causley’s life that aren’t entirely flattering. His intimate relationships were initially faltering and not always fulfilling as he struggled to come to terms with his sexuality. He clearly found it difficult to commit to a full-on relationship with anyone other than his mother.
Much of the novel deals with his younger, more formative years. Gale creates atmospheric scenes portraying small-town life, and then the claustrophobic world on board naval vessels – which interestingly he likens to that in prison – in ways that provide not just colourful, event-filled narrative, but also show the building of an artist’s mind.